C0 note (16,35 Hz) — vibrating on liquid surface

D0 note (18.35 Hz) — vibrating on liquid surface

C0 note (16,35 Hz) — vibrating on liquid surface

F0 note (21.83 Hz) — vibrating on liquid surface

G0 note (24.50 Hz) — vibrating on liquid surface

A0 note (27.50 Hz) — vibrating on liquid surface

Yazdani, Arash 




Arash started his music studies at the music conservatoire of the city of Isfahan in Iran. Graduated with the diploma in piano playing and later received his BA in double bass specialty from the Superior Conservatoire of Music (now University of Applied Science and Technology) in Tehran as well as studying composition privately.

Arash has been working as a bassist in the most major orchestras and chamber ensembles in Iran, including Tehran Symphony Orchestra and Iran National Orchestra. He has been working as pianist and accompanist in the main universities and conservatoire of Tehran for over six years.
In autumn 2009 he started his advanced composition education at the Royal College of Music in Stockholm, followed by a master program in composition from 2010 from which he graduated on summer 2012.

At 2011 he received the Erasmus scholarship to study in Hochschule für Musik in Basel with professor Georg Friedrich Haas.

From fall 2012 he started a Doctorate of composition at the Estonian Academy of Music and Theatre, as well as a Specialized Master program of composition at the Hochschule für Musik in Basel to study with Georg Friedrich Haas.

From December 2014 he has been a guest researcher at the Institut für Elektroniche Musik und Akoustik IEM-Graz.
He is currently conducting a research on “multiphonics on strings of piano” and some of his previous research papers are awaiting for publication. Among them are “music study of future” a futuristic guidline to improve the current system of music education; “Acoustics and Psychoacoustics on works of Horatiu Radulescu”, “An acoustical approach toward composition”.

Yazdani’s music is recognised by its emphasize on the accoustical phenomena and creating unique hearing experience with the use of instruments. He has written pieces for Ensemble Phoenix Basel, Namascae Lemanic Modern Ensemble, Ensemble Proton Bern, Ensemble U:, KammarensembleN, Moscow Contemporary Ensemble, Green-Fairy Duo among the others. His works have been performed in different places across Europe including Paris, Stockholm, Zurich, Basel, Bern, Tallinn, Frankfurt, Schwetzingen, St. Petersburg.

His music had featured in the Schwetzinger SWR Festspiele, SESSION DE COMPOSITION VOIX NOUVELLES Royaumont Abbey foundation, Brussels Philharmonic’s TACTUS young composers forum, Estonian Music Days, Moscow Ensemble Academy, Tallinn Music Week, reMusik Festival.




Works in ISCM catalogue



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