Composer, musicologist. Professor of Nagoya City University, school of design and architecture.
Graduated from Tokyo University with the thesis concerning Adorno’s music aesthetics. After four years of free lance activity, she studied and graduated from Aichi Prefectural College of Arts and Music , and got Master degree for composition. Her doctoral degree of Engineering was given by Nagoya University, with the doctoral thesis titled <Space Concept in the Contemporary Music>.
Her pieces were performed in France (Bourges, Paris) Austria(Salzburg), Hungary(Budapest), Germany(GEDOK), Italy(Venice, Alba, Treviso, Udine) Republic of Moldova (Ars Poetica), ISEA2000 and 2002, ISCM2003 and 2010, EMS2010 Changhai, Musicacoustica2010 (Beijing), ACMP2011, 2012, 2013, 2016 , WOCMAT2013 and in several cities in Japan. She have received several prizes like Ars Portica, Japan-France contemporary music contest, Japan Foundation for Orchestral Music, Aichi Art Prize, Suntory Saji-Keizo prize and so on. Many writings and articles were published, including Terminology of the French Philosophy(2017), Remoteness and Compensation in Electroacoustic Music (2016), Japanese Composers in GRM before 1970 (2016),
The History of Japanese Contemporary Music After WW・(2006), Space Concept in the Contemporary Compositions(2001).
She is now the president of JSEM (Japanese Society of Electronic Music), a steering member of JSSA (Japanese Society of Sonic Arts), MSJ (Musicological Society of Japan) and DRA (Design Research Association), and a directional member of Nagoya Philharmonic Orchestra and Aichi Triennale. She is now engaging the Kaken research concerning the idea and the theory of <timbre> in the contemporary instrumental pieces and electroacoustic music.
International Society for Contemporary Music
